1933 -
Has no ancestors and no descendants in this family tree.
1909 - 1965 (56 years)
Birth |
1909 |
Died |
5 Jul 1965 |
Avenue de la Reine Marguerite |
|
Father |
Pedro María Rubirosa |
Mother |
Ana Ariza Almanzar |
|
Family 1 |
Flor de Oro Trujillo |
Married |
Dec 1932 |
Divorced |
1937 |
|
Family 2 |
Danielle Darrieux |
Married |
Abt 1940 |
Divorced |
Yes, date unknown |
|
Family 3 |
Doris Duke, b. 22 Nov 1912 |
Married |
1952 |
Divorced |
1953 |
|
Family 4 |
Zsa Zsa Gábor, b. 6 Feb 1917, Budapest, Magyarország |
Married |
1952 |
|
Family 5 |
Marianne o' Brien |
Married |
1953 |
|
Family 6 |
Joanne |
|
Family 7 |
Barbara Woolworth Hutton, b. 14 Nov 1912 |
Married |
30 Dec 1953 |
|
Family 8 |
Living |
|
Family 9 |
Eva Gábor, b. 11 Feb 1919, Budapest, Magyarország |
|
Family 10 |
Evita María Eva Duarte, b. 7 May 1919, Los Toldos |
|
Family 11 |
Ava Lavinia Gardner, b. 24 Dec 1922, Grabtown, North Carolina, USA |
|
Family 12 |
Jayne Mansfield, b. 19 Apr 1933 |
|
Family 13 |
Kim Novak, b. 13 Feb 1933, Chicago, Illinois, USA |
|
|
Father |
Keith Holcombe Johnson |
Mother |
Frances Louisa Olive Tweed |
|
Family 1 |
Sheila Sweet |
Children |
| 1. Jervis Johnson, b. 1959 |
| 2. Sorel Johnson |
|
|
Family 2 |
Kim Novak, b. 13 Feb 1933, Chicago, Illinois, USA |
|
Family 3 |
Marie Louise Norlund |
Children |
|
|
Family 4 |
Living |
Children |
|
|
Family 5 |
Living |
|
|
Family |
Kim Novak, b. 13 Feb 1933, Chicago, Illinois, USA |
Married |
12 Mar 1976 |
|
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Name |
Kim Novak |
Birth |
13 Feb 1933 |
Chicago, Illinois, USA |
Gender |
Female |
Prominent People |
USA |
actor |
Person ID |
I372605 |
Geneagraphie |
Last Modified |
27 Mar 2019 |
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Notes |
- the daughter of a former teacher turned transit
clerk and his wife, also a former teacher. Throughout
elementary and high school, Kim did not get along well
with teachers. She even admitted that she didn't like being
told what to do and when to do it. Her first job, after high
school, was modeling teen fashions for a local department
store. Kim, later, won a scholarship in a modeling school
and continued to model part time. Kim later worked odd
jobs as an elevator operator, sales clerk, and a dental
assistant. The jobs never seemed to work out so she fell
back on modeling, the one job she did well. After a stint
on the road as a spokesperson for an appliance
company, Kim decided to go to Los Angeles and try her
luck at modeling there. Ultimately, her modeling landed
her an uncredited role in the RKO production of THE
FRENCH LINE (1954). The role encompassed nothing
more than being seen on a set of stairs. Later a talent
agent arranged for a screen test with Columbia Pictures
and won a small six month contract. In truth, some of the
studio hierarchy thought that Kim was Columbia's answer
to Marilyn Monroe. Kim, who was still going by her own
name of Marilyn, was originally going to be called Kit
Marlowe. She wanted to at least keep her family name of
Novak, so the young actress and studio personnel settled
on Kim Novak. After taking some acting lessons, which
the studio declined to pay for, Kim appeared in her first
film opposite Fred MacMurray in 1954's PUSHOVER.
Though her role as Lona McLane wasn't exactly a great
one, it was her beautiful looks that seemed to capture the
eyes of the critics. Later that year, Kim appeared in the
film, PHFFFT! with Jack Lemmon and Judy Holliday.
Now more and more fans were eager to see this bright
new star. These two films set the tone for her career with
a lot of fan mail coming her way. Her next film was as
Kay Greylek in 1955's FIVE AGAINST THE HOUSE.
The film was well-received, but it was her next one for
that year that was her best to date. The film was
PICNIC. Although Kim did a superb job of acting in the
film as did her costars, the film did win two Oscars for
editing and set decoration. Kim's next film was with
United Artist's on a loan out in THE MAN WITH THE
GOLDEN ARM. Her performance was flawless, but it
was was Kim's beauty that carried the day. The film was
a big hit. In 1957, Kim played Linda English in the hit
movie PAL JOEY with Frank Sinatra and Rita
Hayworth. The film did very well at the box-office, but
was crucified by the critics. Kim really didn't seem that
interested in the role. She even said she couldn't stand
people such as her character. In 1958, Kim appeared in
a dual role of Judy Barton and Madeleine Elster in Alfred
Hitchcock's, now classic, VERTIGO with Jimmy
Stewart. This film's plot was one that thoroughly
entertained the theater patrons wherever it played. The
film was one in which Stewart's character, a detective, is
hired to tail a friend's wife (Kim) and witnesses her
"suicide". In the end Stewart finds that he has been duped
in an elaborate scheme. Her next film was BELL, BOOK
AND CANDLE which didn't fare as well at the
box-office. By the early, 1960's Kim's star was beginning
to fall especially with the rise of new stars or stars that
were remodeling their status within the film community.
With a few more non-descript films between 1960 and
1964, she landed the role of Mildred Rogers in OF
HUMAN BONDAGE. The film debuted to good
reviews. After 1965's THE AMOROUS
ADVENTURES OF MOLL FLANDERS, Kim stepped
away from the cameras for a while, returning in 1968 to
star in THE LEGEND OF LYLAH CLARE. It flopped.
After that, Kim, basically, was able to pick what projects
she wanted. After THE GREAT BANK ROBBERY in
1969, Kim was away for another four years until she was
seen in a television movie called THE THIRD GIRL
FROM THE LEFT. Subsequent films were not the type
to get the critics to sit up and take notice. In 1981, Kim
played, of all people, Kit Marlowe in the TV series
Falcon Crest. Her last film, on the silver screen, was
LIEBESTRAUM in 1991.
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